Do Re MiC D E

Tell Me Something Good

Rufus and Chaka Khan (Stevie Wonder)4/4funk♩= 75

Chord Diagrams — Tell Me Something Good in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
C♯m
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
B/D
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/E♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/E
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/F
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/G♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
F♯/C
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132

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Tell Me Something Good in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to E (descending whole step), E to D# (descending half step), D# to C# (descending whole step), C# to B (descending whole step), B to A (descending whole step), A to G# (descending half step), G# to E (descending major third), E to A# (ascending tritone), A# to B (ascending half step), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to F# (descending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

funk4/4 · 56 bars · Form: AAABCCD

Chords: F♯, E, D♯m, C♯m, B, A, G♯m, E13, A♯m, B/D, B/E♭, B/E, B/F, B/G♭, F♯/C, D♯m7, G♯m7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#