Do Re MiC D E

Tell Me Something Good

Rufus and Chaka Khan (Stevie Wonder)4/4funk♩= 75
G13
%
G13
D/D
%
D/E♭
D/E
D/F
D/G♭
D/E♭
D/E♭
D/E♭
G13
G13
D/D
%
D/E♭
D/E
D/F
D/G♭
D/E♭
D/E♭
D/E♭
D/E♭
D/E♭
D/E♭
D/E♭
D/E♭

Chord Diagrams — Tell Me Something Good in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
G13
9frEADGBEx21334
EADGBE321
3frEADGBE11x234
3frEADGBE111324
C♯m
9frEADGBE111134
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
D/D
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
D/E♭
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
D/E
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
D/F
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
D/G♭
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
A/C
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
Bm7
9frEADGBE11x423
EADGBE111132
3frEADGBExx2314
7frEADGBE111113

Explore More

Tell Me Something Good in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to F# (descending half step), F# to E (descending whole step), E to D (descending whole step), D to C (descending whole step), C to B (descending half step), B to G (descending major third), G to C# (ascending tritone), C# to D (ascending half step), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to A (descending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

funk4/4 · 56 bars · Form: AAABCCD

Chords: A, G, F♯m, Em, D, C, Bm, G13, C♯m, D/D, D/E♭, D/E, D/F, D/G♭, A/C, F♯m7, Bm7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A