Do Re MiC D E

Tell Me Something Good

Rufus and Chaka Khan (Stevie Wonder)4/4funk♩= 75
A♯13
%
A♯13
F/D
%
F/E♭
F/E
F/F
F/G♭
C/C
F/E♭
C/C
F/E♭
C/C
F/E♭
A♯13
A♯13
F/D
%
F/E♭
F/E
F/F
F/G♭
C/C
F/E♭
C/C
F/E♭
C/C
F/E♭
C/C
F/E♭
C/C
F/E♭
C/C
F/E♭
C/C
F/E♭
C/C
F/E♭

Chord Diagrams — Tell Me Something Good in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
A♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Gm
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
D♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
Dm
6frEADGBEx4231x
EADGBExx231
5frEADGBE111342
10frEADGBE111134
A♯13
6frEADGBE111234
EADGBE44x12
4frEADGBE1132
12frEADGBE44x213
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
F/D
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
F/E♭
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
F/E
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
F/F
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
F/G♭
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
C/C
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113

Explore More

Tell Me Something Good in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to A (descending half step), A to G (descending whole step), G to F (descending whole step), F to D# (descending whole step), D# to D (descending half step), D to A# (descending major third), A# to E (ascending tritone), E to F (ascending half step), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to C (descending perfect fourth), C to A (descending minor third), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

funk4/4 · 56 bars · Form: AAABCCD

Chords: C, A♯, Am, Gm, F, D♯, Dm, A♯13, Em, F/D, F/E♭, F/E, F/F, F/G♭, C/C, Am7, Dm7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C