Do Re MiC D E

Tell Me Something Good

Rufus and Chaka Khan (Stevie Wonder)4/4funk♩= 75
G♯13
%
G♯13
D♯/D
%
D♯/E♭
D♯/E
D♯/F
D♯/G♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭
G♯13
G♯13
D♯/D
%
D♯/E♭
D♯/E
D♯/F
D♯/G♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭
A♯/C
D♯/E♭

Chord Diagrams — Tell Me Something Good in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
D♯/D
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
D♯/E♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
D♯/E
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
D♯/F
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
D♯/G♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A♯/C
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113

Explore More

Tell Me Something Good in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to G (descending half step), G to F (descending whole step), F to D# (descending whole step), D# to C# (descending whole step), C# to C (descending half step), C to G# (descending major third), G# to D (ascending tritone), D to D# (ascending half step), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G (descending minor third), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

funk4/4 · 56 bars · Form: AAABCCD

Chords: A♯, G♯, Gm, Fm, D♯, C♯, Cm, G♯13, Dm, D♯/D, D♯/E♭, D♯/E, D♯/F, D♯/G♭, A♯/C, Gm7, Cm7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#