Do Re MiC D E

Sun Goddess

Earth, Wind and Fire-Ramsey Lewis (Lind-White)4/4funk♩= 95
C♯maj7/E
%
Bmaj7/D
%
C♯maj7/E
%
Bmaj7/D
%
Gm11
G♯maj7/B
Amaj7/C
Dm11
C♯maj7/E
%
Gm11
G♯maj7/B
Amaj7/C
Dm11
C♯maj7/E
%
Gm11
G♯maj7/B
Amaj7/C
Dm11
C♯maj7/E
%
%
%
%
%
Bmaj7/D
%
C♯maj7/E
%
Bmaj7/D
%
Gm11
G♯maj7/B
Amaj7/C
Dm11
C♯maj7/E
%
%
%
Gm11
G♯maj7/B
Amaj7/C
Dm11
C♯maj7/E
%
Gm11
G♯maj7/B
Amaj7/C
Dm11
C♯maj7/E
%
Gm11
G♯maj7/B
Amaj7/C
Dm11
C♯maj7/E
%
%
%
%
%
Bmaj7/D
%
C♯maj7/E
%
Bmaj7/D
%
C♯maj7/E
%
Bmaj7/D
%
C♯maj7/E
%
Bmaj7/D
%

Chord Diagrams — Sun Goddess in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯maj7/E
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Bmaj7/D
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
Gm11
3frEADGBE111114
EADGBE2x341x
5frEADGBE11xx23
8frEADGBE11x234
G♯maj7/B
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Amaj7/C
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Dm11
3frEADGBE11x234
EADGBE11xx
8frEADGBE111342
10frEADGBE111114
G7♭9
4frEADGBE11xx23
EADGBE11324
EADGBE111x23
9frEADGBE11x234
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
A♯m9
2frEADGBExx2413
4frEADGBE113x24
6frEADGBE111134
11frEADGBEx2134x

Explore More

Sun Goddess in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to B (descending whole step), B to G# (descending minor third), G# to F (descending minor third), F to G (ascending whole step), G to G# (ascending half step), G# to A (ascending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 119 bars · Form: ABA

Chords: C♯maj7/E, Bmaj7/D, G♯maj7, Fm9, Gm11, G♯maj7/B, Amaj7/C, Dm11, G7♭9, Cm7, F7♭9, A♯m9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#