Do Re MiC D E

Sun Goddess

Earth, Wind and Fire-Ramsey Lewis (Lind-White)4/4funk♩= 95
F♯maj7/E
%
Emaj7/D
%
F♯maj7/E
%
Emaj7/D
%
Cm11
C♯maj7/B
Dmaj7/C
Gm11
F♯maj7/E
%
Cm11
C♯maj7/B
Dmaj7/C
Gm11
F♯maj7/E
%
Cm11
C♯maj7/B
Dmaj7/C
Gm11
F♯maj7/E
%
%
%
%
%
Emaj7/D
%
F♯maj7/E
%
Emaj7/D
%
Cm11
C♯maj7/B
Dmaj7/C
Gm11
F♯maj7/E
%
%
%
Cm11
C♯maj7/B
Dmaj7/C
Gm11
F♯maj7/E
%
Cm11
C♯maj7/B
Dmaj7/C
Gm11
F♯maj7/E
%
Cm11
C♯maj7/B
Dmaj7/C
Gm11
F♯maj7/E
%
%
%
%
%
Emaj7/D
%
F♯maj7/E
%
Emaj7/D
%
F♯maj7/E
%
Emaj7/D
%
F♯maj7/E
%
Emaj7/D
%

Chord Diagrams — Sun Goddess in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj7/E
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Emaj7/D
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯m9
4frEADGBE113x24
2frEADGBExx2413
6frEADGBE111134
11frEADGBEx2134x
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
C♯maj7/B
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
Dmaj7/C
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Gm11
EADGBE2x341x
3frEADGBE111114
5frEADGBE11xx23
8frEADGBE11x234
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯7♭9
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
12frEADGBE11x234
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134

Explore More

Sun Goddess in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to E (descending whole step), E to C# (descending minor third), C# to A# (descending minor third), A# to C (ascending whole step), C to C# (ascending half step), C# to D (ascending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to F# by minor third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 119 bars · Form: ABA

Chords: F♯maj7/E, Emaj7/D, C♯maj7, A♯m9, Cm11, C♯maj7/B, Dmaj7/C, Gm11, C7♭9, Fm7, A♯7♭9, D♯m9.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#