Do Re MiC D E

Sun Goddess

Earth, Wind and Fire-Ramsey Lewis (Lind-White)4/4funk♩= 95
Dmaj7/E
%
Cmaj7/D
%
Dmaj7/E
%
Cmaj7/D
%
G♯m11
Amaj7/B
A♯maj7/C
D♯m11
Dmaj7/E
%
G♯m11
Amaj7/B
A♯maj7/C
D♯m11
Dmaj7/E
%
G♯m11
Amaj7/B
A♯maj7/C
D♯m11
Dmaj7/E
%
%
%
%
%
Cmaj7/D
%
Dmaj7/E
%
Cmaj7/D
%
G♯m11
Amaj7/B
A♯maj7/C
D♯m11
Dmaj7/E
%
%
%
G♯m11
Amaj7/B
A♯maj7/C
D♯m11
Dmaj7/E
%
G♯m11
Amaj7/B
A♯maj7/C
D♯m11
Dmaj7/E
%
G♯m11
Amaj7/B
A♯maj7/C
D♯m11
Dmaj7/E
%
%
%
%
%
Cmaj7/D
%
Dmaj7/E
%
Cmaj7/D
%
Dmaj7/E
%
Cmaj7/D
%
Dmaj7/E
%
Cmaj7/D
%

Chord Diagrams — Sun Goddess in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dmaj7/E
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Cmaj7/D
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
G♯m11
9frEADGBE11x334
EADGBE111342
4frEADGBE111114
6frEADGBE11xx23
Amaj7/B
7frEADGBE333x1
EADGBEx213
EADGBE111x4
5frEADGBE111423
A♯maj7/C
8frEADGBE11333x
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
D♯m11
9frEADGBE111342
EADGBE11xx34
4frEADGBE11x234
11frEADGBE111114
G♯7♭9
10frEADGBE11x234
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
F♯7♭9
8frEADGBE11x234
EADGBE2134
3frEADGBE11xx23
12frEADGBE3241xx
Bm9
7frEADGBE111134
EADGBEx1234
3frEADGBE222x14
10frEADGBE112234

Explore More

Sun Goddess in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C (descending whole step), C to A (descending minor third), A to F# (descending minor third), F# to G# (ascending whole step), G# to A (ascending half step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 119 bars · Form: ABA

Chords: Dmaj7/E, Cmaj7/D, Amaj7, F♯m9, G♯m11, Amaj7/B, A♯maj7/C, D♯m11, G♯7♭9, C♯m7, F♯7♭9, Bm9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A