Do Re MiC D E

Sun Goddess

Earth, Wind and Fire-Ramsey Lewis (Lind-White)4/4funk♩= 95
A♯maj7/E
%
G♯maj7/D
%
A♯maj7/E
%
G♯maj7/D
%
Em11
Fmaj7/B
F♯maj7/C
Bm11
A♯maj7/E
%
Em11
Fmaj7/B
F♯maj7/C
Bm11
A♯maj7/E
%
Em11
Fmaj7/B
F♯maj7/C
Bm11
A♯maj7/E
%
%
%
%
%
G♯maj7/D
%
A♯maj7/E
%
G♯maj7/D
%
Em11
Fmaj7/B
F♯maj7/C
Bm11
A♯maj7/E
%
%
%
Em11
Fmaj7/B
F♯maj7/C
Bm11
A♯maj7/E
%
Em11
Fmaj7/B
F♯maj7/C
Bm11
A♯maj7/E
%
Em11
Fmaj7/B
F♯maj7/C
Bm11
A♯maj7/E
%
%
%
%
%
G♯maj7/D
%
A♯maj7/E
%
G♯maj7/D
%
A♯maj7/E
%
G♯maj7/D
%
A♯maj7/E
%
G♯maj7/D
%

Chord Diagrams — Sun Goddess in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj7/E
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
G♯maj7/D
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
Em11
3frEADGBE321
EADGBE1
5frEADGBE11x234
10frEADGBE111342
Fmaj7/B
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
F♯maj7/C
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Bm11
5frEADGBE111342
EADGBEx123
7frEADGBE111114
9frEADGBE1122xx
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
D7♭9
8frEADGBE3241xx
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
Gm9
8frEADGBEx21344
EADGBE2341
3frEADGBE111134
6frEADGBE11xx2

Explore More

Sun Goddess in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to F (descending minor third), F to D (descending minor third), D to E (ascending whole step), E to F (ascending half step), F to F# (ascending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to A# by minor third.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 119 bars · Form: ABA

Chords: A♯maj7/E, G♯maj7/D, Fmaj7, Dm9, Em11, Fmaj7/B, F♯maj7/C, Bm11, E7♭9, Am7, D7♭9, Gm9.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F