Do Re MiC D E

Sun Goddess

Earth, Wind and Fire-Ramsey Lewis (Lind-White)4/4funk♩= 95
D♯maj7/E
%
C♯maj7/D
%
D♯maj7/E
%
C♯maj7/D
%
Am11
A♯maj7/B
Bmaj7/C
Em11
D♯maj7/E
%
Am11
A♯maj7/B
Bmaj7/C
Em11
D♯maj7/E
%
Am11
A♯maj7/B
Bmaj7/C
Em11
D♯maj7/E
%
%
%
%
%
C♯maj7/D
%
D♯maj7/E
%
C♯maj7/D
%
Am11
A♯maj7/B
Bmaj7/C
Em11
D♯maj7/E
%
%
%
Am11
A♯maj7/B
Bmaj7/C
Em11
D♯maj7/E
%
Am11
A♯maj7/B
Bmaj7/C
Em11
D♯maj7/E
%
Am11
A♯maj7/B
Bmaj7/C
Em11
D♯maj7/E
%
%
%
%
%
C♯maj7/D
%
D♯maj7/E
%
C♯maj7/D
%
D♯maj7/E
%
C♯maj7/D
%
D♯maj7/E
%
C♯maj7/D
%

Chord Diagrams — Sun Goddess in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯maj7/E
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
C♯maj7/D
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Gm9
3frEADGBE111134
EADGBE2341
6frEADGBE11xx2
8frEADGBEx21344
Am11
3frEADGBE111342
EADGBEx1
5frEADGBE111114
10frEADGBE11x234
A♯maj7/B
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Bmaj7/C
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
Em11
EADGBE1
3frEADGBE321
5frEADGBE11x234
10frEADGBE111342
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
G7♭9
EADGBE11324
EADGBE111x23
4frEADGBE11xx23
9frEADGBE11x234
Cm9
EADGBEx21344
EADGBEx1243
6frEADGBEx13244
8frEADGBE111134

Explore More

Sun Goddess in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to C# (descending whole step), C# to A# (descending minor third), A# to G (descending minor third), G to A (ascending whole step), A to A# (ascending half step), A# to B (ascending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to D# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 119 bars · Form: ABA

Chords: D♯maj7/E, C♯maj7/D, A♯maj7, Gm9, Am11, A♯maj7/B, Bmaj7/C, Em11, A7♭9, Dm7, G7♭9, Cm9.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#