Do Re MiC D E

Sun Goddess

Earth, Wind and Fire-Ramsey Lewis (Lind-White)4/4funk♩= 95
Emaj7/E
%
Dmaj7/D
%
Emaj7/E
%
Dmaj7/D
%
A♯m11
Bmaj7/B
Cmaj7/C
Emaj7/E
%
A♯m11
Bmaj7/B
Cmaj7/C
Emaj7/E
%
A♯m11
Bmaj7/B
Cmaj7/C
Emaj7/E
%
%
%
%
%
Dmaj7/D
%
Emaj7/E
%
Dmaj7/D
%
A♯m11
Bmaj7/B
Cmaj7/C
Emaj7/E
%
%
%
A♯m11
Bmaj7/B
Cmaj7/C
Emaj7/E
%
A♯m11
Bmaj7/B
Cmaj7/C
Emaj7/E
%
A♯m11
Bmaj7/B
Cmaj7/C
Emaj7/E
%
%
%
%
%
Dmaj7/D
%
Emaj7/E
%
Dmaj7/D
%
Emaj7/E
%
Dmaj7/D
%
Emaj7/E
%
Dmaj7/D
%

Chord Diagrams — Sun Goddess in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Emaj7/E
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Dmaj7/D
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
Bmaj7/B
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Cmaj7/C
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342
A♯7♭9
4frEADGBE3241xx
EADGBEx123
6frEADGBE111x23
12frEADGBE11x234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134

Explore More

Sun Goddess in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to D (descending whole step), D to B (descending minor third), B to G# (descending minor third), G# to A# (ascending whole step), A# to B (ascending half step), B to C (ascending half step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to E by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 119 bars · Form: ABA

Chords: Emaj7/E, Dmaj7/D, Bmaj7, G♯m9, A♯m11, Bmaj7/B, Cmaj7/C, Fm11, A♯7♭9, D♯m7, G♯7♭9, C♯m9.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B