Do Re MiC D E

Sun Goddess

Earth, Wind and Fire-Ramsey Lewis (Lind-White)4/4funk♩= 95
G♯maj7/E
%
F♯maj7/D
%
G♯maj7/E
%
F♯maj7/D
%
Dm11
D♯maj7/B
Emaj7/C
Am11
G♯maj7/E
%
Dm11
D♯maj7/B
Emaj7/C
Am11
G♯maj7/E
%
Dm11
D♯maj7/B
Emaj7/C
Am11
G♯maj7/E
%
%
%
%
%
F♯maj7/D
%
G♯maj7/E
%
F♯maj7/D
%
Dm11
D♯maj7/B
Emaj7/C
Am11
G♯maj7/E
%
%
%
Dm11
D♯maj7/B
Emaj7/C
Am11
G♯maj7/E
%
Dm11
D♯maj7/B
Emaj7/C
Am11
G♯maj7/E
%
Dm11
D♯maj7/B
Emaj7/C
Am11
G♯maj7/E
%
%
%
%
%
F♯maj7/D
%
G♯maj7/E
%
F♯maj7/D
%
G♯maj7/E
%
F♯maj7/D
%
G♯maj7/E
%
F♯maj7/D
%

Chord Diagrams — Sun Goddess in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯maj7/E
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
F♯maj7/D
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
Dm11
3frEADGBE11x234
EADGBE11xx
8frEADGBE111342
10frEADGBE111114
D♯maj7/B
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Emaj7/C
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
Am11
3frEADGBE111342
EADGBEx1
5frEADGBE111114
10frEADGBE11x234
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344

Explore More

Sun Goddess in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to D# (descending minor third), D# to C (descending minor third), C to D (ascending whole step), D to D# (ascending half step), D# to E (ascending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 119 bars · Form: ABA

Chords: G♯maj7/E, F♯maj7/D, D♯maj7, Cm9, Dm11, D♯maj7/B, Emaj7/C, Am11, D7♭9, Gm7, C7♭9, Fm9.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#