Do Re MiC D E

Lone Jack (Page 1)

Metheny Pat4/4samba
%
F♯7sus4
%
Emaj7♯11
%
%
%
%
%
%
%
%
%
%
%
%
B/E♭
C♯/F
E6/A♭
D♯6/G
B/E♭
C♯/F
G♯/C
F♯/B♭
C/E
D/F♯
F/A
G/B
A♯/D
C/E
D♯/G
F/A
F♯/B♭
F♯/B♭

Chord Diagrams — Lone Jack (Page 1) in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D♯7♯9
5frEADGBEx2134x
EADGBExx234
8frEADGBE111x23
10frEADGBE2134xx
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
B/E♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯/F
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
E6/A♭
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
D♯6/G
4frEADGBEx4231x
EADGBE11xx34
6frEADGBE3333x1
10frEADGBE2x143x
G♯/C
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F♯/B♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C/E
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
D/F♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
F/A
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
G/B
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
A♯/D
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
D♯/G
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4

Explore More

Lone Jack (Page 1) in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to E (descending major third), E to D# (descending half step), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to B (descending whole step), B to A (descending whole step), A to F# (descending minor third), F# to E (descending whole step), E to B (descending perfect fourth), B to C# (ascending whole step), C# to E (ascending minor third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to C (ascending tritone), C to D (ascending whole step), D to F (ascending minor third), F to G (ascending whole step), G to A# (ascending minor third), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: G♯m7, Emaj7, D♯7♯9, F♯, C♯m7, Bmaj7, Amaj7, F♯7sus4, Emaj7♯11, B/E♭, C♯/F, E6/A♭, D♯6/G, G♯/C, F♯/B♭, C/E, D/F♯, F/A, G/B, A♯/D, D♯/G.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#