Do Re MiC D E

Lone Jack (Page 1)

Metheny Pat4/4samba
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G7sus4
%
Fmaj7♯11
%
%
%
%
%
%
%
%
%
%
%
%
C/E♭
D/F
F6/A♭
E6/G
C/E♭
D/F
A/C
G/B♭
C♯/E
D♯/F♯
F♯/A
G♯/B
B/D
C♯/E
E/G
F♯/A
G/B♭
G/B♭

Chord Diagrams — Lone Jack (Page 1) in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
E7♯9
3frEADGBE312
EADGBE214
6frEADGBEx2134x
9frEADGBE11123
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
G7sus4
8frEADGBE11x234
EADGBE1123
3frEADGBE111134
10frEADGBE111134
Fmaj7♯11
8frEADGBE11x234
EADGBE12
EADGBExx213
5frEADGBE11x423
C/E♭
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
D/F
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
F6/A♭
8frEADGBE113333
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
E6/G
7frEADGBE3333x1
EADGBE2314
EADGBE11134
5frEADGBEx4231x
A/C
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
G/B♭
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
C♯/E
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
D♯/F♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
F♯/A
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
G♯/B
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
B/D
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
E/G
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432

Explore More

Lone Jack (Page 1) in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F (descending major third), F to E (descending half step), E to G (ascending minor third), G to D (descending perfect fourth), D to C (descending whole step), C to A# (descending whole step), A# to G (descending minor third), G to F (descending whole step), F to C (descending perfect fourth), C to D (ascending whole step), D to F (ascending minor third), F to E (descending half step), E to A (ascending perfect fourth), A to G (descending whole step), G to C# (ascending tritone), C# to D# (ascending whole step), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to B (ascending minor third), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: Am7, Fmaj7, E7♯9, G, Dm7, Cmaj7, A♯maj7, G7sus4, Fmaj7♯11, C/E♭, D/F, F6/A♭, E6/G, A/C, G/B♭, C♯/E, D♯/F♯, F♯/A, G♯/B, B/D, E/G.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A