Do Re MiC D E

Lone Jack (Page 1)

Metheny Pat4/4samba
%
E7sus4
%
Dmaj7♯11
%
%
%
%
%
%
%
%
%
%
%
%
A/E♭
B/F
D6/A♭
C♯6/G
A/E♭
B/F
F♯/C
E/B♭
A♯/E
C/F♯
D♯/A
F/B
G♯/D
A♯/E
C♯/G
D♯/A
E/B♭
E/B♭

Chord Diagrams — Lone Jack (Page 1) in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
C♯7♯9
3frEADGBEx2134x
EADGBEx3241
8frEADGBE2222x1
9frEADGBE111324
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Amaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
Dmaj7♯11
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
9frEADGBE111123
A/E♭
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
B/F
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
D6/A♭
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
7frEADGBE111134
C♯6/G
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
F♯/C
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
E/B♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
A♯/E
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
C/F♯
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
D♯/A
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
F/B
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
G♯/D
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
C♯/G
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342

Explore More

Lone Jack (Page 1) in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to D (descending major third), D to C# (descending half step), C# to E (ascending minor third), E to B (descending perfect fourth), B to A (descending whole step), A to G (descending whole step), G to E (descending minor third), E to D (descending whole step), D to A (descending perfect fourth), A to B (ascending whole step), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to A# (ascending tritone), A# to C (ascending whole step), C to D# (ascending minor third), D# to F (ascending whole step), F to G# (ascending minor third), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: F♯m7, Dmaj7, C♯7♯9, E, Bm7, Amaj7, Gmaj7, E7sus4, Dmaj7♯11, A/E♭, B/F, D6/A♭, C♯6/G, F♯/C, E/B♭, A♯/E, C/F♯, D♯/A, F/B, G♯/D, C♯/G.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#