Do Re MiC D E

Lone Jack (Page 1)

Metheny Pat4/4samba
%
A♯7sus4
%
G♯maj7♯11
%
%
%
%
%
%
%
%
%
%
%
%
D♯/E♭
F/F
G♯6/A♭
G6/G
D♯/E♭
F/F
C/C
A♯/B♭
E/E
F♯/F♯
A/A
B/B
D/D
E/E
G/G
A/A
A♯/B♭
A♯/B♭

Chord Diagrams — Lone Jack (Page 1) in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G7♯9
3frEADGBE114432
EADGBE3241
4frEADGBE44x231
9frEADGBEx2134x
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
G♯maj7♯11
EADGBE111123
4frEADGBE111234
8frEADGBE11x423
11frEADGBE11x234
D♯/E♭
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
F/F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
G♯6/A♭
EADGBE1111x3
3frEADGBE2x143x
6frEADGBE111x34
9frEADGBEx4231x
G6/G
EADGBE21
EADGBE2x143x
5frEADGBE111x34
10frEADGBE3333x1
C/C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
A♯/B♭
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
E/E
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
F♯/F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
A/A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
B/B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
D/D
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
G/G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432

Explore More

Lone Jack (Page 1) in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G# (descending major third), G# to G (descending half step), G to A# (ascending minor third), A# to F (descending perfect fourth), F to D# (descending whole step), D# to C# (descending whole step), C# to A# (descending minor third), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to F (ascending whole step), F to G# (ascending minor third), G# to G (descending half step), G to C (ascending perfect fourth), C to A# (descending whole step), A# to E (ascending tritone), E to F# (ascending whole step), F# to A (ascending minor third), A to B (ascending whole step), B to D (ascending minor third), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: Cm7, G♯maj7, G7♯9, A♯, Fm7, D♯maj7, C♯maj7, A♯7sus4, G♯maj7♯11, D♯/E♭, F/F, G♯6/A♭, G6/G, C/C, A♯/B♭, E/E, F♯/F♯, A/A, B/B, D/D, G/G.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C