Do Re MiC D E

Lone Jack (Page 1)

Metheny Pat4/4samba
%
B7sus4
%
Amaj7♯11
%
%
%
%
%
%
%
%
%
%
%
%
E/E♭
F♯/F
A6/A♭
G♯6/G
E/E♭
F♯/F
C♯/C
B/B♭
F/E
G/F♯
A♯/A
C/B
D♯/D
F/E
G♯/G
A♯/A
B/B♭
B/B♭

Chord Diagrams — Lone Jack (Page 1) in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
G♯7♯9
4frEADGBE114432
EADGBE213334
5frEADGBE44xx31
10frEADGBEx2134x
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
B7sus4
4frEADGBE1122xx
EADGBEx123
2frEADGBE111134
7frEADGBE111134
Amaj7♯11
4frEADGBE111123
EADGBEx2134
6frEADGBE11x34
9frEADGBE11x423
E/E♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
F♯/F
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
A6/A♭
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
G♯6/G
EADGBE1111x3
3frEADGBE2x143x
6frEADGBE111x34
9frEADGBEx4231x
C♯/C
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
B/B♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
F/E
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
G/F♯
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
A♯/A
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
C/B
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
D♯/D
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
G♯/G
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432

Explore More

Lone Jack (Page 1) in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to A (descending major third), A to G# (descending half step), G# to B (ascending minor third), B to F# (descending perfect fourth), F# to E (descending whole step), E to D (descending whole step), D to B (descending minor third), B to A (descending whole step), A to E (descending perfect fourth), E to F# (ascending whole step), F# to A (ascending minor third), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to F (ascending tritone), F to G (ascending whole step), G to A# (ascending minor third), A# to C (ascending whole step), C to D# (ascending minor third), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: C♯m7, Amaj7, G♯7♯9, B, F♯m7, Emaj7, Dmaj7, B7sus4, Amaj7♯11, E/E♭, F♯/F, A6/A♭, G♯6/G, C♯/C, B/B♭, F/E, G/F♯, A♯/A, C/B, D♯/D, G♯/G.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#