Do Re MiC D E

Lone Jack (Page 1)

Metheny Pat4/4samba
%
D7sus4
%
Cmaj7♯11
%
%
%
%
%
%
%
%
%
%
%
%
G/E♭
A/F
C6/A♭
B6/G
G/E♭
A/F
E/C
D/B♭
G♯/E
A♯/F♯
C♯/A
D♯/B
F♯/D
G♯/E
B/G
C♯/A
D/B♭
D/B♭

Chord Diagrams — Lone Jack (Page 1) in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
B7♯9
EADGBEx2134x
5frEADGBE3241
7frEADGBE114432
8frEADGBExx2134
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
Fmaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
D7sus4
EADGBExx214
3frEADGBEx2341x
5frEADGBE111134
10frEADGBE111134
Cmaj7♯11
EADGBEx4231
3frEADGBE11x234
7frEADGBE111123
8frEADGBE111234
G/E♭
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
A/F
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
C6/A♭
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
B6/G
EADGBEx312x
EADGBE3333x1
7frEADGBE1x324x
9frEADGBE11xx34
E/C
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
D/B♭
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
G♯/E
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
A♯/F♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
C♯/A
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
D♯/B
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
F♯/D
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
B/G
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243

Explore More

Lone Jack (Page 1) in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C (descending major third), C to B (descending half step), B to D (ascending minor third), D to A (descending perfect fourth), A to G (descending whole step), G to F (descending whole step), F to D (descending minor third), D to C (descending whole step), C to G (descending perfect fourth), G to A (ascending whole step), A to C (ascending minor third), C to B (descending half step), B to E (ascending perfect fourth), E to D (descending whole step), D to G# (ascending tritone), G# to A# (ascending whole step), A# to C# (ascending minor third), C# to D# (ascending whole step), D# to F# (ascending minor third), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: Em7, Cmaj7, B7♯9, D, Am7, Gmaj7, Fmaj7, D7sus4, Cmaj7♯11, G/E♭, A/F, C6/A♭, B6/G, E/C, D/B♭, G♯/E, A♯/F♯, C♯/A, D♯/B, F♯/D, B/G.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E