Do Re MiC D E

Lone Jack (Page 1)

Metheny Pat4/4samba
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A7sus4
%
Gmaj7♯11
%
%
%
%
%
%
%
%
%
%
%
%
D/E♭
E/F
G6/A♭
F♯6/G
D/E♭
E/F
B/C
A/B♭
D♯/E
F/F♯
G♯/A
A♯/B
C♯/D
D♯/E
F♯/G
G♯/A
A/B♭
A/B♭

Chord Diagrams — Lone Jack (Page 1) in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
F♯7♯9
3frEADGBExx2134
EADGBE213334
2frEADGBE111324
8frEADGBEx2134x
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Dmaj7
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
Gmaj7♯11
EADGBE111133
3frEADGBE111234
7frEADGBE11x423
10frEADGBE11x234
D/E♭
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
E/F
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
G6/A♭
EADGBE21
EADGBE2x143x
5frEADGBE111x34
10frEADGBE3333x1
F♯6/G
EADGBE2x143x
EADGBE11x324
4frEADGBE111x34
9frEADGBE3333x1
B/C
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A/B♭
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
D♯/E
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
F/F♯
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
G♯/A
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
A♯/B
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
C♯/D
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
F♯/G
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234

Explore More

Lone Jack (Page 1) in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to G (descending major third), G to F# (descending half step), F# to A (ascending minor third), A to E (descending perfect fourth), E to D (descending whole step), D to C (descending whole step), C to A (descending minor third), A to G (descending whole step), G to D (descending perfect fourth), D to E (ascending whole step), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to A (descending whole step), A to D# (ascending tritone), D# to F (ascending whole step), F to G# (ascending minor third), G# to A# (ascending whole step), A# to C# (ascending minor third), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: Bm7, Gmaj7, F♯7♯9, A, Em7, Dmaj7, Cmaj7, A7sus4, Gmaj7♯11, D/E♭, E/F, G6/A♭, F♯6/G, B/C, A/B♭, D♯/E, F/F♯, G♯/A, A♯/B, C♯/D, F♯/G.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B