Do Re MiC D E

Ponteio

Edu Lobo - Jose Carlos Capinan4/4baião
FmMaj9
%
%
%
F♯maj9
%
%
%
FmMaj9
%
F♯maj9
%
FmMaj9
%
%
F♯maj9
%
FmMaj9
%
F♯maj9
%
FmMaj9
%
F♯maj9
%
%
A♯m9/G
%
C♯maj9
C♯maj9/B
A♯m9/G
F69
D♯69
F69
D♯69
F69
D♯69
F69
D♯69
FmMaj9
%
F♯maj9
%
FmMaj9
%
F♯maj9
%
FmMaj9
%
F♯maj9
%
FmMaj9
%
F♯maj9
%
%
A♯m9/G
%
C♯maj9
C♯maj9/B
A♯m9/G
F69

Chord Diagrams — Ponteio in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
FmMaj9
F - A♭ - C - E - G
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
A♯m9
2frEADGBExx2413
4frEADGBE113x24
6frEADGBE111134
11frEADGBEx2134x
A♯m9/G
2frEADGBExx2413
4frEADGBE113x24
6frEADGBE111134
11frEADGBEx2134x
C♯maj9
3frEADGBEx2143x
EADGBE1111x4
8frEADGBE111243
10frEADGBExx2143
C♯maj9/B
3frEADGBEx2143x
EADGBE1111x4
8frEADGBE111243
10frEADGBExx2143
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
F69
EADGBExx2134
EADGBE123
5frEADGBE1111x2
7frEADGBE11x234
D♯69
EADGBE1111x2
EADGBExx234
5frEADGBE11x234
10frEADGBE111234
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234

Explore More

Ponteio in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to F# (ascending half step), F# to A# (ascending major third), A# to A# (ascending unison), A# to C# (ascending minor third), C# to C# (ascending unison), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to F# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 96 bars · Form: ABCD

Chords: FmMaj9, F♯maj9, A♯m9, A♯m9/G, C♯maj9, C♯maj9/B, Gm7, C7, F69, D♯69, A♯7, C♯7, D♯7, G♯, F♯.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#