Do Re MiC D E

Ponteio

Edu Lobo - Jose Carlos Capinan4/4baião
C♯mMaj9
%
%
%
Dmaj9
%
%
%
C♯mMaj9
%
Dmaj9
%
C♯mMaj9
%
%
Dmaj9
%
C♯mMaj9
%
Dmaj9
%
C♯mMaj9
%
Dmaj9
%
%
F♯m9/G
%
Amaj9
Amaj9/B
F♯m9/G
C♯69
B69
C♯69
B69
C♯69
B69
C♯69
B69
C♯mMaj9
%
Dmaj9
%
C♯mMaj9
%
Dmaj9
%
C♯mMaj9
%
Dmaj9
%
C♯mMaj9
%
Dmaj9
%
%
F♯m9/G
%
Amaj9
Amaj9/B
F♯m9/G
C♯69

Chord Diagrams — Ponteio in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯mMaj9
C♯ - E - G♯ - C - D♯
Dmaj9
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
F♯m9/G
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
Amaj9/B
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯69
EADGBE11x432
EADGBE11x234
8frEADGBE111234
10frEADGBExx2134
B69
EADGBE11x234
6frEADGBE111234
8frEADGBEx22134
11frEADGBE11x432
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
E
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342

Explore More

Ponteio in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to D (ascending half step), D to F# (ascending major third), F# to F# (ascending unison), F# to A (ascending minor third), A to A (ascending unison), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to F# (descending perfect fourth), F# to A (ascending minor third), A to B (ascending whole step), B to E (ascending perfect fourth), E to D (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C# by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 96 bars · Form: ABCD

Chords: C♯mMaj9, Dmaj9, F♯m9, F♯m9/G, Amaj9, Amaj9/B, D♯m7, G♯7, C♯69, B69, F♯7, A7, B7, E, D.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E