Do Re MiC D E

Ponteio

Edu Lobo - Jose Carlos Capinan4/4baião
F♯mMaj9
%
%
%
Gmaj9
%
%
%
F♯mMaj9
%
Gmaj9
%
F♯mMaj9
%
%
Gmaj9
%
F♯mMaj9
%
Gmaj9
%
F♯mMaj9
%
Gmaj9
%
%
Bm9/G
%
Dmaj9
Dmaj9/B
Bm9/G
F♯69
E69
F♯69
E69
F♯69
E69
F♯69
E69
F♯mMaj9
%
Gmaj9
%
F♯mMaj9
%
Gmaj9
%
F♯mMaj9
%
Gmaj9
%
F♯mMaj9
%
Gmaj9
%
%
Bm9/G
%
Dmaj9
Dmaj9/B
Bm9/G
F♯69

Chord Diagrams — Ponteio in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯mMaj9
F♯ - A - C♯ - F - G♯
Gmaj9
3frEADGBExx2314
EADGBE21
EADGBE111243
9frEADGBEx2143x
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
Bm9/G
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
Dmaj9
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234
Dmaj9/B
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯69
EADGBExx2134
EADGBE111234
6frEADGBE1111x2
8frEADGBE11x234
E69
EADGBE22134
6frEADGBE11x234
9frEADGBE11111x
11frEADGBE11134
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432

Explore More

Ponteio in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to G (ascending half step), G to B (ascending major third), B to B (ascending unison), B to D (ascending minor third), D to D (ascending unison), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to B (descending perfect fourth), B to D (ascending minor third), D to E (ascending whole step), E to A (ascending perfect fourth), A to G (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 96 bars · Form: ABCD

Chords: F♯mMaj9, Gmaj9, Bm9, Bm9/G, Dmaj9, Dmaj9/B, G♯m7, C♯7, F♯69, E69, B7, D7, E7, A, G.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A