Do Re MiC D E

Ponteio

Edu Lobo - Jose Carlos Capinan4/4baião
D♯mMaj9
%
%
%
Emaj9
%
%
%
D♯mMaj9
%
Emaj9
%
D♯mMaj9
%
%
Emaj9
%
D♯mMaj9
%
Emaj9
%
D♯mMaj9
%
Emaj9
%
%
G♯m9/G
%
Bmaj9
Bmaj9/B
G♯m9/G
D♯69
C♯69
D♯69
C♯69
D♯69
C♯69
D♯69
C♯69
D♯mMaj9
%
Emaj9
%
D♯mMaj9
%
Emaj9
%
D♯mMaj9
%
Emaj9
%
D♯mMaj9
%
Emaj9
%
%
G♯m9/G
%
Bmaj9
Bmaj9/B
G♯m9/G
D♯69

Chord Diagrams — Ponteio in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯mMaj9
D♯ - F♯ - A♯ - D - F
Emaj9
EADGBE111234
EADGBE3124
6frEADGBEx2143x
9frEADGBE11xx34
G♯m9
EADGBE11143
4frEADGBE111134
7frEADGBE221341
9frEADGBEx21344
G♯m9/G
EADGBE11143
4frEADGBE111134
7frEADGBE221341
9frEADGBEx21344
Bmaj9
EADGBE22143x
4frEADGBE11xx34
6frEADGBE11243x
8frEADGBExx2143
Bmaj9/B
EADGBE22143x
4frEADGBE11xx34
6frEADGBE11243x
8frEADGBExx2143
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯69
EADGBExx234
EADGBE1111x2
5frEADGBE11x234
10frEADGBE111234
C♯69
EADGBE11x432
EADGBE11x234
8frEADGBE111234
10frEADGBExx2134
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234

Explore More

Ponteio in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to E (ascending half step), E to G# (ascending major third), G# to G# (ascending unison), G# to B (ascending minor third), B to B (ascending unison), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to E (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to D# by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 96 bars · Form: ABCD

Chords: D♯mMaj9, Emaj9, G♯m9, G♯m9/G, Bmaj9, Bmaj9/B, Fm7, A♯7, D♯69, C♯69, G♯7, B7, C♯7, F♯, E.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#