Do Re MiC D E

Ponteio

Edu Lobo - Jose Carlos Capinan4/4baião
G♯mMaj9
%
%
%
Amaj9
%
%
%
G♯mMaj9
%
Amaj9
%
G♯mMaj9
%
%
Amaj9
%
G♯mMaj9
%
Amaj9
%
G♯mMaj9
%
Amaj9
%
%
C♯m9/G
%
Emaj9
Emaj9/B
C♯m9/G
G♯69
F♯69
G♯69
F♯69
G♯69
F♯69
G♯69
F♯69
G♯mMaj9
%
Amaj9
%
G♯mMaj9
%
Amaj9
%
G♯mMaj9
%
Amaj9
%
G♯mMaj9
%
Amaj9
%
%
C♯m9/G
%
Emaj9
Emaj9/B
C♯m9/G
G♯69

Chord Diagrams — Ponteio in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯mMaj9
G♯ - B - D♯ - G - A♯
Amaj9
4frEADGBE11243
EADGBE11x34
5frEADGBEx2314
11frEADGBE22143x
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
C♯m9/G
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
Emaj9
EADGBE111234
EADGBE3124
6frEADGBEx2143x
9frEADGBE11xx34
Emaj9/B
EADGBE111234
EADGBE3124
6frEADGBEx2143x
9frEADGBE11xx34
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯69
EADGBE11111x
EADGBE111234
5frEADGBExx2134
10frEADGBE11x234
F♯69
EADGBE111234
EADGBExx2134
6frEADGBE1111x2
8frEADGBE11x234
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243

Explore More

Ponteio in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G# to A (ascending half step), A to C# (ascending major third), C# to C# (ascending unison), C# to E (ascending minor third), E to E (ascending unison), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to A (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 96 bars · Form: ABCD

Chords: G♯mMaj9, Amaj9, C♯m9, C♯m9/G, Emaj9, Emaj9/B, A♯m7, D♯7, G♯69, F♯69, C♯7, E7, F♯7, B, A.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B