Do Re MiC D E

Ponteio

Edu Lobo - Jose Carlos Capinan4/4baião
GmMaj9
%
%
%
G♯maj9
%
%
%
GmMaj9
%
G♯maj9
%
GmMaj9
%
%
G♯maj9
%
GmMaj9
%
G♯maj9
%
GmMaj9
%
G♯maj9
%
%
Cm9/G
%
D♯maj9
D♯maj9/B
Cm9/G
G69
F69
G69
F69
G69
F69
G69
F69
GmMaj9
%
G♯maj9
%
GmMaj9
%
G♯maj9
%
GmMaj9
%
G♯maj9
%
GmMaj9
%
G♯maj9
%
%
Cm9/G
%
D♯maj9
D♯maj9/B
Cm9/G
G69

Chord Diagrams — Ponteio in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
GmMaj9
G - B♭ - D - F♯ - A
G♯maj9
4frEADGBE113224
EADGBE1111x4
3frEADGBE111243
10frEADGBE22143x
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
Cm9/G
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
D♯maj9/B
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
G69
EADGBE111234
EADGBE1
4frEADGBEx22134
9frEADGBE11x234
F69
EADGBExx2134
EADGBE123
5frEADGBE1111x2
7frEADGBE11x234
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432

Explore More

Ponteio in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to G# (ascending half step), G# to C (ascending major third), C to C (ascending unison), C to D# (ascending minor third), D# to D# (ascending unison), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F (descending whole step), F to C (descending perfect fourth), C to D# (ascending minor third), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to G# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 96 bars · Form: ABCD

Chords: GmMaj9, G♯maj9, Cm9, Cm9/G, D♯maj9, D♯maj9/B, Am7, D7, G69, F69, C7, D♯7, F7, A♯, G♯.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#