Do Re MiC D E

Ponteio

Edu Lobo - Jose Carlos Capinan4/4baião
A♯mMaj9
%
%
%
Bmaj9
%
%
%
A♯mMaj9
%
Bmaj9
%
A♯mMaj9
%
%
Bmaj9
%
A♯mMaj9
%
Bmaj9
%
A♯mMaj9
%
Bmaj9
%
%
D♯m9/G
%
F♯maj9
F♯maj9/B
D♯m9/G
A♯69
G♯69
A♯69
G♯69
A♯69
G♯69
A♯69
G♯69
A♯mMaj9
%
Bmaj9
%
A♯mMaj9
%
Bmaj9
%
A♯mMaj9
%
Bmaj9
%
A♯mMaj9
%
Bmaj9
%
%
D♯m9/G
%
F♯maj9
F♯maj9/B
D♯m9/G
A♯69

Chord Diagrams — Ponteio in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯mMaj9
A♯ - C♯ - F - A - C
Bmaj9
4frEADGBE11xx34
EADGBE22143x
6frEADGBE11243x
8frEADGBExx2143
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
D♯m9/G
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
F♯maj9/B
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯69
5frEADGBE111234
EADGBEx123
7frEADGBEx22134
12frEADGBE11x234
G♯69
5frEADGBExx2134
EADGBE11111x
EADGBE111234
10frEADGBE11x234
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243

Explore More

Ponteio in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to B (ascending half step), B to D# (ascending major third), D# to D# (ascending unison), D# to F# (ascending minor third), F# to F# (ascending unison), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

baião4/4 · 96 bars · Form: ABCD

Chords: A♯mMaj9, Bmaj9, D♯m9, D♯m9/G, F♯maj9, F♯maj9/B, Cm7, F7, A♯69, G♯69, D♯7, F♯7, G♯7, C♯, B.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#