Do Re MiC D E

Boom Boom (1992)

John Lee Hooker4/4blues♩= 166
G♯/G
G♯/A
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
D♯7/D
D♯7/E
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
D♯7/D
D♯7/E
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
%
%
%
%
%
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
%
%
%
G♯/G
G♯/A
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
D♯7/D
D♯7/E
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
D♯7/D
D♯7/E
G♯/G
G♯/A
G♯/G
G♯/A
G♯/G
G♯/A
C♯7/C
C♯7/D
G♯/G
G♯/A
%
%
%
%
%

Chord Diagrams — Boom Boom (1992) in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯/G
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯/A
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯7/C
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯7/D
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
D♯7/D
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
D♯7/E
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134

Explore More

Boom Boom (1992) in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to D# (ascending whole step), D# to D# (ascending unison), D# to D# (ascending unison), D# to G# (ascending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 106 bars · Form: AB

Chords: G♯, G♯/G, G♯/A, C♯7, C♯7/C, C♯7/D, C♯, D♯7, D♯7/D, D♯7/E, G♯7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#