Do Re MiC D E

Boom Boom (1992)

John Lee Hooker4/4blues♩= 166
C/G
C/A
C/G
C/A
F7/C
F7/D
C/G
C/A
C/G
C/A
C/G
C/A
F7/C
F7/D
C/G
C/A
G7/D
G7/E
C/G
C/A
C/G
C/A
C/G
C/A
C/G
C/A
C/G
C/A
F7/C
F7/D
C/G
C/A
G7/D
G7/E
C/G
C/A
C/G
C/A
C/G
C/A
F7/C
F7/D
C/G
C/A
%
%
%
%
%
C/G
C/A
F7/C
F7/D
C/G
C/A
%
%
%
C/G
C/A
C/G
C/A
F7/C
F7/D
C/G
C/A
C/G
C/A
C/G
C/A
F7/C
F7/D
C/G
C/A
G7/D
G7/E
C/G
C/A
C/G
C/A
C/G
C/A
C/G
C/A
C/G
C/A
F7/C
F7/D
C/G
C/A
G7/D
G7/E
C/G
C/A
C/G
C/A
C/G
C/A
F7/C
F7/D
C/G
C/A
%
%
%
%
%

Chord Diagrams — Boom Boom (1992) in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C/G
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C/A
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
F7/C
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
F7/D
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
G7/D
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
G7/E
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132

Explore More

Boom Boom (1992) in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to G (ascending whole step), G to G (ascending unison), G to G (ascending unison), G to C (ascending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 106 bars · Form: AB

Chords: C, C/G, C/A, F7, F7/C, F7/D, F, G7, G7/D, G7/E, C7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C