Do Re MiC D E

Boom Boom (1992)

John Lee Hooker4/4blues♩= 166
D/G
D/A
D/G
D/A
G7/C
G7/D
D/G
D/A
D/G
D/A
D/G
D/A
G7/C
G7/D
D/G
D/A
A7/D
A7/E
D/G
D/A
D/G
D/A
D/G
D/A
D/G
D/A
D/G
D/A
G7/C
G7/D
D/G
D/A
A7/D
A7/E
D/G
D/A
D/G
D/A
D/G
D/A
G7/C
G7/D
D/G
D/A
%
%
%
%
%
D/G
D/A
G7/C
G7/D
D/G
D/A
%
%
%
D/G
D/A
D/G
D/A
G7/C
G7/D
D/G
D/A
D/G
D/A
D/G
D/A
G7/C
G7/D
D/G
D/A
A7/D
A7/E
D/G
D/A
D/G
D/A
D/G
D/A
D/G
D/A
D/G
D/A
G7/C
G7/D
D/G
D/A
A7/D
A7/E
D/G
D/A
D/G
D/A
D/G
D/A
G7/C
G7/D
D/G
D/A
%
%
%
%
%

Chord Diagrams — Boom Boom (1992) in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D/G
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D/A
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
G7/C
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
G7/D
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
A7/D
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
A7/E
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132

Explore More

Boom Boom (1992) in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to D (ascending unison), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to A (ascending whole step), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to D by unison.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 106 bars · Form: AB

Chords: D, D/G, D/A, G7, G7/C, G7/D, G, A7, A7/D, A7/E, D7.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D