Do Re MiC D E

Boom Boom (1992)

John Lee Hooker4/4blues♩= 166
A/G
A/A
A/G
A/A
D7/C
D7/D
A/G
A/A
A/G
A/A
A/G
A/A
D7/C
D7/D
A/G
A/A
E7/D
E7/E
A/G
A/A
A/G
A/A
A/G
A/A
A/G
A/A
A/G
A/A
D7/C
D7/D
A/G
A/A
E7/D
E7/E
A/G
A/A
A/G
A/A
A/G
A/A
D7/C
D7/D
A/G
A/A
%
%
%
%
%
A/G
A/A
D7/C
D7/D
A/G
A/A
%
%
%
A/G
A/A
A/G
A/A
D7/C
D7/D
A/G
A/A
A/G
A/A
A/G
A/A
D7/C
D7/D
A/G
A/A
E7/D
E7/E
A/G
A/A
A/G
A/A
A/G
A/A
A/G
A/A
A/G
A/A
D7/C
D7/D
A/G
A/A
E7/D
E7/E
A/G
A/A
A/G
A/A
A/G
A/A
D7/C
D7/D
A/G
A/A
%
%
%
%
%

Chord Diagrams — Boom Boom (1992) in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
A/G
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
A/A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
D7/C
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
D7/D
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7/D
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7/E
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324

Explore More

Boom Boom (1992) in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to E (ascending whole step), E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 106 bars · Form: AB

Chords: A, A/G, A/A, D7, D7/C, D7/D, D, E7, E7/D, E7/E, A7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A