Do Re MiC D E

Boom Boom (1992)

John Lee Hooker4/4blues♩= 166
F/G
F/A
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
F/G
F/A
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
C7/D
C7/E
F/G
F/A
F/G
F/A
F/G
F/A
F/G
F/A
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
C7/D
C7/E
F/G
F/A
F/G
F/A
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
%
%
%
%
%
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
%
%
%
F/G
F/A
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
F/G
F/A
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
C7/D
C7/E
F/G
F/A
F/G
F/A
F/G
F/A
F/G
F/A
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
C7/D
C7/E
F/G
F/A
F/G
F/A
F/G
F/A
A♯7/C
A♯7/D
F/G
F/A
%
%
%
%
%

Chord Diagrams — Boom Boom (1992) in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F/G
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F/A
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
A♯7/C
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
A♯7/D
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
A♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
C7/D
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
C7/E
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2

Explore More

Boom Boom (1992) in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to C (ascending whole step), C to C (ascending unison), C to C (ascending unison), C to F (ascending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 106 bars · Form: AB

Chords: F, F/G, F/A, A♯7, A♯7/C, A♯7/D, A♯, C7, C7/D, C7/E, F7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F