Do Re MiC D E

Boom Boom (1992)

John Lee Hooker4/4blues♩= 166
B/G
B/A
B/G
B/A
E7/C
E7/D
B/G
B/A
B/G
B/A
B/G
B/A
E7/C
E7/D
B/G
B/A
F♯7/D
F♯7/E
B/G
B/A
B/G
B/A
B/G
B/A
B/G
B/A
B/G
B/A
E7/C
E7/D
B/G
B/A
F♯7/D
F♯7/E
B/G
B/A
B/G
B/A
B/G
B/A
E7/C
E7/D
B/G
B/A
%
%
%
%
%
B/G
B/A
E7/C
E7/D
B/G
B/A
%
%
%
B/G
B/A
B/G
B/A
E7/C
E7/D
B/G
B/A
B/G
B/A
B/G
B/A
E7/C
E7/D
B/G
B/A
F♯7/D
F♯7/E
B/G
B/A
B/G
B/A
B/G
B/A
B/G
B/A
B/G
B/A
E7/C
E7/D
B/G
B/A
F♯7/D
F♯7/E
B/G
B/A
B/G
B/A
B/G
B/A
E7/C
E7/D
B/G
B/A
%
%
%
%
%

Chord Diagrams — Boom Boom (1992) in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B/G
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B/A
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7/C
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7/D
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
F♯7/D
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
F♯7/E
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132

Explore More

Boom Boom (1992) in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to F# (ascending whole step), F# to F# (ascending unison), F# to F# (ascending unison), F# to B (ascending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 106 bars · Form: AB

Chords: B, B/G, B/A, E7, E7/C, E7/D, E, F♯7, F♯7/D, F♯7/E, B7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B