Do Re MiC D E

Boom Boom (1992)

John Lee Hooker4/4blues♩= 166
A♯/G
A♯/A
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
F7/D
F7/E
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
F7/D
F7/E
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
%
%
%
%
%
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
%
%
%
A♯/G
A♯/A
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
F7/D
F7/E
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
F7/D
F7/E
A♯/G
A♯/A
A♯/G
A♯/A
A♯/G
A♯/A
D♯7/C
D♯7/D
A♯/G
A♯/A
%
%
%
%
%

Chord Diagrams — Boom Boom (1992) in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯/G
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯/A
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
D♯7/C
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
D♯7/D
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
F7/D
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
F7/E
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x

Explore More

Boom Boom (1992) in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to F (ascending whole step), F to F (ascending unison), F to F (ascending unison), F to A# (ascending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 106 bars · Form: AB

Chords: A♯, A♯/G, A♯/A, D♯7, D♯7/C, D♯7/D, D♯, F7, F7/D, F7/E, A♯7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#