Indestructible in F#

Ray Barretto, J. Román(1978)guarachaGuaracha ♩= 106 (2-3 Clave)
Do Re MiC D E
Clave 2-3
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Chord Diagrams — Indestructible in F# (Guitar)

F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Dmaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
A6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Amaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
Am6
EADGBEx2314
4frEADGBE2222x15frEADGBE1112347frEADGBE111x32
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
G♯7♯9
EADGBE222221
4frEADGBE1144325frEADGBE44xx3110frEADGBEx2134x
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
G13♯11
G - B - D - F - A - C♯ - E

Indestructible in F#

Indestructible in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to A (ascending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third), B to A# (descending half step), A# to A (descending half step), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C# (ascending major third), C# to E (ascending minor third), E to C# (descending minor third), C# to G (ascending tritone), G to F# (descending half step), F# to C# (descending perfect fourth), C# to B (descending whole step), B to C# (ascending whole step), C# to G (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 90 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: F♯m6, A9, Dmaj9, G7, Dmaj7, G9, Bm6, A♯7♯9, A6, G♯m7♭5, C♯6, B13♯11, C♯m7♭5, F♯7, Bm7, E7, Amaj7, Am6, D♯7♯9, G♯7♯9, Bm9, E9, A7, C♯7♭9, E, C♯, G9♯11, F♯m, C♯7, Bm, C♯13, G13♯11.

Scales for Improvisation F# bebop minor, F# bebop.