Indestructible in C#

Ray Barretto, J. Román(1978)guarachaGuaracha ♩= 106 (2-3 Clave)
Do Re MiC D E
Clave 2-3
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
F
-
C
o
d
a

Chord Diagrams — Indestructible in C# (Guitar)

C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Amaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
F7♯9
EADGBE111324
EADGBExx21347frEADGBEx2134x10frEADGBE111x23
E6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯6
EADGBE1111x3
3frEADGBE2x143x6frEADGBE111x349frEADGBEx4231x
F♯13♯11
F♯ - A♯ - C♯ - E - G♯ - C - D♯
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Emaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
D13♯11
D - F♯ - A - C - E - G♯ - B

Indestructible in C#

Indestructible in C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to E (ascending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to F# (ascending major third), F# to F (descending half step), F to E (descending half step), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G# (ascending major third), G# to B (ascending minor third), B to G# (descending minor third), G# to D (ascending tritone), D to C# (descending half step), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to G# (ascending whole step), G# to D (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 90 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: C♯m6, E9, Amaj9, D7, Amaj7, D9, F♯m6, F7♯9, E6, D♯m7♭5, G♯6, F♯13♯11, G♯m7♭5, C♯7, F♯m7, B7, Emaj7, Em6, A♯7♯9, D♯7♯9, F♯m9, B9, E7, G♯7♭9, B, G♯, D9♯11, C♯m, G♯7, F♯m, G♯13, D13♯11.

Scales for Improvisation C# bebop minor, C# bebop.