Indestructible in E

Ray Barretto, J. Román(1978)guarachaGuaracha ♩= 106 (2-3 Clave)
Do Re MiC D E
Clave 2-3
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A
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B
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a

Chord Diagrams — Indestructible in E (Guitar)

Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Cmaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
Am6
EADGBEx2314
4frEADGBE2222x15frEADGBE1112347frEADGBE111x32
G♯7♯9
EADGBE222221
4frEADGBE1144325frEADGBE44xx3110frEADGBEx2134x
G6
EADGBE21
EADGBE2x143x5frEADGBE111x3410frEADGBE3333x1
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
A13♯11
A - C♯ - E - G - B - D♯ - F♯
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Gmaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
Gm6
EADGBE2222x1
3frEADGBE1112345frEADGBE111x328frEADGBE11x324
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
F♯7♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
F9♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
F13♯11
F - A - C - E♭ - G - B - D

Indestructible in E

Indestructible in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to G (ascending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to A (ascending major third), A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to B (ascending perfect fourth), B to A (descending whole step), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third), B to D (ascending minor third), D to B (descending minor third), B to F (ascending tritone), F to E (descending half step), E to B (descending perfect fourth), B to A (descending whole step), A to B (ascending whole step), B to F (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to E by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 90 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: Em6, G9, Cmaj9, F7, Cmaj7, F9, Am6, G♯7♯9, G6, F♯m7♭5, B6, A13♯11, Bm7♭5, E7, Am7, D7, Gmaj7, Gm6, C♯7♯9, F♯7♯9, Am9, D9, G7, B7♭9, D, B, F9♯11, Em, B7, Am, B13, F13♯11.

Scales for Improvisation E bebop minor, E bebop.