Indestructible in A#

Ray Barretto, J. Román(1978)guarachaGuaracha ♩= 106 (2-3 Clave)
Do Re MiC D E
Clave 2-3
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Chord Diagrams — Indestructible in A# (Guitar)

A♯m6
EADGBEx13x24
3frEADGBEx2314x5frEADGBE2222x16frEADGBE111234
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
F♯maj9
EADGBE111243
EADGBE11x2343frEADGBExx21438frEADGBE22214x
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F♯maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
D7♯9
4frEADGBEx2134x
7frEADGBE4127frEADGBE111x2310frEADGBE111324
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
F6
EADGBE11x324
3frEADGBE111x346frEADGBEx4231x8frEADGBE113333
D♯13♯11
D♯ - G - A♯ - C♯ - F - A - C
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
G7♯9
EADGBE3241
3frEADGBE1144324frEADGBE44x2319frEADGBEx2134x
C7♯9
EADGBEx2134x
3frEADGBE11x328frEADGBE1113249frEADGBExx2134
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯

Indestructible in A#

Indestructible in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C# (ascending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to F (ascending perfect fourth), F to D# (descending whole step), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G (ascending tritone), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F (ascending major third), F to G# (ascending minor third), G# to F (descending minor third), F to B (ascending tritone), B to A# (descending half step), A# to F (descending perfect fourth), F to D# (descending whole step), D# to F (ascending whole step), F to B (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 90 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: A♯m6, C♯9, F♯maj9, B7, F♯maj7, B9, D♯m6, D7♯9, C♯6, Cm7♭5, F6, D♯13♯11, Fm7♭5, A♯7, D♯m7, G♯7, C♯maj7, C♯m6, G7♯9, C7♯9, D♯m9, G♯9, C♯7, F7♭9, G♯, F, B9♯11, A♯m, F7, D♯m, F13, B13♯11.

Scales for Improvisation A# bebop minor, A# bebop.