Indestructible in C

Ray Barretto, J. Román(1978)guarachaGuaracha ♩= 106 (2-3 Clave)
Do Re MiC D E
Clave 2-3
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A
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B
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C
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D
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E
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F
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C
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d
a

Chord Diagrams — Indestructible in C (Guitar)

Cm6
EADGBE11x324
3frEADGBEx13x247frEADGBE2222x18frEADGBE111234
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
G♯maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
Fm6
EADGBE1x234
3frEADGBE11xx326frEADGBE11x3249frEADGBExx2314
E7♯9
EADGBE214
3frEADGBE3126frEADGBEx2134x9frEADGBE11123
D♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
G6
EADGBE21
EADGBE2x143x5frEADGBE111x3410frEADGBE3333x1
F13♯11
F - A - C - E♭ - G - B - D
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
A7♯9
5frEADGBE114432
6frEADGBExx21348frEADGBEx421311frEADGBEx2134x
D7♯9
4frEADGBEx2134x
7frEADGBE4127frEADGBE111x2310frEADGBE111324
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C♯13♯11
C♯ - F - G♯ - B - D♯ - G - A♯

Indestructible in C

Indestructible in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to F (ascending major third), F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to F (descending whole step), F to G (ascending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A (ascending tritone), A to D (ascending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G (ascending major third), G to A# (ascending minor third), A# to G (descending minor third), G to C# (ascending tritone), C# to C (descending half step), C to G (descending perfect fourth), G to F (descending whole step), F to G (ascending whole step), G to C# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C by half step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 90 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: Cm6, D♯9, G♯maj9, C♯7, G♯maj7, C♯9, Fm6, E7♯9, D♯6, Dm7♭5, G6, F13♯11, Gm7♭5, C7, Fm7, A♯7, D♯maj7, D♯m6, A7♯9, D7♯9, Fm9, A♯9, D♯7, G7♭9, A♯, G, C♯9♯11, Cm, G7, Fm, G13, C♯13♯11.

Scales for Improvisation C bebop minor, C bebop.