Indestructible in D#

Ray Barretto, J. Román(1978)guarachaGuaracha ♩= 106 (2-3 Clave)
Do Re MiC D E
Clave 2-3
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Chord Diagrams — Indestructible in D# (Guitar)

D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Bmaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
G7♯9
EADGBE3241
3frEADGBE1144324frEADGBE44x2319frEADGBEx2134x
F♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
A♯6
EADGBE3333x1
5frEADGBE21346frEADGBE113x2410frEADGBEx4231x
G♯13♯11
G♯ - C - D♯ - F♯ - A♯ - D - F
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
C7♯9
EADGBEx2134x
3frEADGBE11x328frEADGBE1113249frEADGBExx2134
F7♯9
EADGBE111324
EADGBExx21347frEADGBEx2134x10frEADGBE111x23
G♯m9
EADGBE11143
4frEADGBE1111347frEADGBE2213419frEADGBE2222x1
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
E9♯11
EADGBE12
3frEADGBE31426frEADGBE11x23411frEADGBE111234
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
E13♯11
E - G♯ - B - D - F♯ - A♯ - C♯

Indestructible in D#

Indestructible in D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to G# (ascending major third), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to C (ascending tritone), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to C# (ascending minor third), C# to A# (descending minor third), A# to E (ascending tritone), E to D# (descending half step), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to A# (ascending whole step), A# to E (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to D# by half step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 90 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: D♯m6, F♯9, Bmaj9, E7, Bmaj7, E9, G♯m6, G7♯9, F♯6, Fm7♭5, A♯6, G♯13♯11, A♯m7♭5, D♯7, G♯m7, C♯7, F♯maj7, F♯m6, C7♯9, F7♯9, G♯m9, C♯9, F♯7, A♯7♭9, C♯, A♯, E9♯11, D♯m, A♯7, G♯m, A♯13, E13♯11.

Scales for Improvisation D# bebop minor, D# bebop.