Decisión in F

Oscar Hernández, as played by Seis Del Solar(1992)jazz mamboJazz Mambo
Do Re MiC D E
Clave 2-3
I
n
t
r
o
-
V
a
m
p
-
A
-
B
-
C
-
I
n
t
e
r
l
u
d
e
-
C
o
d
a
A9sus
B9sus
C9sus
G♯9sus
B9sus
A9sus
B9sus
C9sus
G♯9sus
B9sus
Amaj9
D13♯11
Amaj9
G♯7♭9♯5

Chord Diagrams — Decisión in F (Guitar)

G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
G♯9sus
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
D13♯11
D - F♯ - A - C - E - G♯ - B
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯7♭9♯5
G♯ - C - E - F♯ - A
G♯7alt
3frEADGBExx4312
6frEADGBExx124310frEADGBE1144x211frEADGBEx1234x

Decisión in F

Decisión in F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G# to A (ascending half step), A to B (ascending whole step), B to C (ascending half step), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz mambo4/4 · 18 bars · Form: Intro-Vamp-A-B-C-Interlude-Coda

Chords: G♯m7, A9sus, B9sus, C9sus, G♯9sus, C♯m9, D13, Amaj9, D13♯11, C♯m7, G♯7♭9, D♯m7♭5, G♯7♭9♯5, G♯7alt.

Scales for Improvisation F bebop minor, F bebop.