Decisión in F#

Oscar Hernández, as played by Seis Del Solar(1992)jazz mamboJazz Mambo
Do Re MiC D E
Clave 2-3
I
n
t
r
o
-
V
a
m
p
-
A
-
B
-
C
-
I
n
t
e
r
l
u
d
e
-
C
o
d
a
A♯9sus
C9sus
C♯9sus
A9sus
C9sus
A♯9sus
C9sus
C♯9sus
A9sus
C9sus
D♯13
A♯maj9
D♯13♯11
A♯maj9
A7♭9♯5

Chord Diagrams — Decisión in F# (Guitar)

Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
A♯9sus
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
A♯maj9
EADGBE1113x
3frEADGBE1111435frEADGBE11243x6frEADGBE112234
D♯13♯11
D♯ - G - A♯ - C♯ - F - A - C
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
Em7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
A7♭9♯5
A - C♯ - F - G - B♭
A7alt
EADGBEx123x
4frEADGBEx43128frEADGBEx413212frEADGBEx1234x

Decisión in F#

Decisión in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to A# (ascending half step), A# to C (ascending whole step), C to C# (ascending half step), C# to A (descending major third), A to D (ascending perfect fourth), D to D# (ascending half step), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to A (descending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz mambo4/4 · 18 bars · Form: Intro-Vamp-A-B-C-Interlude-Coda

Chords: Am7, A♯9sus, C9sus, C♯9sus, A9sus, Dm9, D♯13, A♯maj9, D♯13♯11, Dm7, A7♭9, Em7♭5, A7♭9♯5, A7alt.

Scales for Improvisation F# bebop minor, F# bebop.