Decisión in C#

Oscar Hernández, as played by Seis Del Solar(1992)jazz mamboJazz Mambo
Do Re MiC D E
Clave 2-3
I
n
t
r
o
-
V
a
m
p
-
A
-
B
-
C
-
I
n
t
e
r
l
u
d
e
-
C
o
d
a
F9sus
G9sus
G♯9sus
E9sus
G9sus
F9sus
G9sus
G♯9sus
E9sus
G9sus
A♯13
Fmaj9
A♯13♯11
Fmaj9
E7♭9♯5

Chord Diagrams — Decisión in C# (Guitar)

Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
G♯9sus
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
A♯13♯11
A♯ - D - F - G♯ - C - E - G
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7♭9♯5
E - G♯ - C - D - F
E7alt
EADGBE132xx
2frEADGBExx12435frEADGBE42x137frEADGBE1234

Decisión in C#

Decisión in C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through E to F (ascending half step), F to G (ascending whole step), G to G# (ascending half step), G# to E (descending major third), E to A (ascending perfect fourth), A to A# (ascending half step), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A (descending half step), A to E (descending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz mambo4/4 · 18 bars · Form: Intro-Vamp-A-B-C-Interlude-Coda

Chords: Em7, F9sus, G9sus, G♯9sus, E9sus, Am9, A♯13, Fmaj9, A♯13♯11, Am7, E7♭9, Bm7♭5, E7♭9♯5, E7alt.

Scales for Improvisation C# bebop minor, C# bebop.