Decisión in D#

Oscar Hernández, as played by Seis Del Solar(1992)jazz mamboJazz Mambo
Do Re MiC D E
Clave 2-3
I
n
t
r
o
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V
a
m
p
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A
-
B
-
C
-
I
n
t
e
r
l
u
d
e
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C
o
d
a
G9sus
A9sus
A♯9sus
F♯9sus
A9sus
G9sus
A9sus
A♯9sus
F♯9sus
A9sus
C13
Gmaj9
C13♯11
Gmaj9
F♯7♭9♯5

Chord Diagrams — Decisión in D# (Guitar)

F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
A♯9sus
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
F♯9sus
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
C13♯11
C - E - G - B♭ - D - F♯ - A
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯7♭9♯5
F♯ - A♯ - D - E - G
F♯7alt
EADGBExx4312
EADGBE11243x4frEADGBExx12439frEADGBE11x234

Decisión in D#

Decisión in D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G (ascending half step), G to A (ascending whole step), A to A# (ascending half step), A# to F# (descending major third), F# to B (ascending perfect fourth), B to C (ascending half step), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz mambo4/4 · 18 bars · Form: Intro-Vamp-A-B-C-Interlude-Coda

Chords: F♯m7, G9sus, A9sus, A♯9sus, F♯9sus, Bm9, C13, Gmaj9, C13♯11, Bm7, F♯7♭9, C♯m7♭5, F♯7♭9♯5, F♯7alt.

Scales for Improvisation D# bebop minor, D# bebop.