Decisión in A

Oscar Hernández, as played by Seis Del Solar(1992)jazz mamboJazz Mambo
Do Re MiC D E
Clave 2-3
I
n
t
r
o
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V
a
m
p
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A
-
B
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C
-
I
n
t
e
r
l
u
d
e
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C
o
d
a
C♯9sus
D♯9sus
E9sus
C9sus
D♯9sus
C♯9sus
D♯9sus
E9sus
C9sus
D♯9sus
F♯13
C♯maj9
F♯13♯11
C♯maj9
C7♭9♯5

Chord Diagrams — Decisión in A (Guitar)

Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
D♯9sus
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
C♯maj9
EADGBE1111x4
3frEADGBEx2143x8frEADGBE11124310frEADGBExx2143
F♯13♯11
F♯ - A♯ - C♯ - E - G♯ - C - D♯
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7♭9♯5
C - E - G♯ - B♭ - D♭
C7alt
2frEADGBE11x234
3frEADGBEx12347frEADGBExx431210frEADGBExx1243

Decisión in A

Decisión in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C# (ascending half step), C# to D# (ascending whole step), D# to E (ascending half step), E to C (descending major third), C to F (ascending perfect fourth), F to F# (ascending half step), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to F (descending half step), F to C (descending perfect fourth), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz mambo4/4 · 18 bars · Form: Intro-Vamp-A-B-C-Interlude-Coda

Chords: Cm7, C♯9sus, D♯9sus, E9sus, C9sus, Fm9, F♯13, C♯maj9, F♯13♯11, Fm7, C7♭9, Gm7♭5, C7♭9♯5, C7alt.

Scales for Improvisation A bebop minor, A bebop.