Decisión in A#

Oscar Hernández, as played by Seis Del Solar(1992)jazz mamboJazz Mambo
Do Re MiC D E
Clave 2-3
I
n
t
r
o
-
V
a
m
p
-
A
-
B
-
C
-
I
n
t
e
r
l
u
d
e
-
C
o
d
a
D9sus
E9sus
F9sus
C♯9sus
E9sus
D9sus
E9sus
F9sus
C♯9sus
E9sus
Dmaj9
G13♯11
Dmaj9
C♯7♭9♯5

Chord Diagrams — Decisión in A# (Guitar)

C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
G13♯11
G - B - D - F - A - C♯ - E
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯7♭9♯5
C♯ - F - A - B - D
C♯7alt
EADGBEx4321
3frEADGBEx23414frEADGBEx1234x8frEADGBExx4312

Decisión in A#

Decisión in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to D (ascending half step), D to E (ascending whole step), E to F (ascending half step), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to F# (descending half step), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz mambo4/4 · 18 bars · Form: Intro-Vamp-A-B-C-Interlude-Coda

Chords: C♯m7, D9sus, E9sus, F9sus, C♯9sus, F♯m9, G13, Dmaj9, G13♯11, F♯m7, C♯7♭9, G♯m7♭5, C♯7♭9♯5, C♯7alt.

Scales for Improvisation A# bebop minor, A# bebop.