Alonzo in G#

Lonnie Hewitt(1963)mamboMambo ♩=106
Do Re MiC D E
A
B
C
D
E
F
G♯m69
D♯7♯9♭5
D♯7♯9♭5
D♯7♯9♭5
D♯7♯9♭5
D♯7♯9♭5
D♯7♯9♭5
D♯7♯9♭5
D♯7♯9♭5
G♯9sus
G♯9sus
G♯9sus
G♯9sus

Chord Diagrams — Alonzo in G# (Guitar)

G♯m69
3frEADGBE222x14
4frEADGBE1122226frEADGBE1111239frEADGBE333x12
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
D♯7♯9♭5
D♯ - G - A♯ - C♯ - E♯# - A
G♯9sus
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221

Alonzo in G#

Alonzo in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 46 bars · Form: ABCDEF

Chords: G♯m69, G♯m, D♯m7, D♯7♯9♭5, G♯9sus, G♯9.

Scales for Improvisation G# bebop minor, G# bebop.