Alonzo in D#

Lonnie Hewitt(1963)mamboMambo ♩=106
Do Re MiC D E
A
B
C
D
E
F
D♯m69
A♯7♯9♭5
A♯7♯9♭5
A♯7♯9♭5
A♯7♯9♭5
A♯7♯9♭5
A♯7♯9♭5
A♯7♯9♭5
A♯7♯9♭5
D♯9sus
D♯9sus
D♯9sus
D♯9sus

Chord Diagrams — Alonzo in D# (Guitar)

D♯m69
EADGBE1112x3
4frEADGBEx3124x9frEADGBE11142311frEADGBExx2134
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
A♯7♯9♭5
A♯ - D - F - G♯ - B♯# - E
D♯9sus
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324

Alonzo in D#

Alonzo in D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 46 bars · Form: ABCDEF

Chords: D♯m69, D♯m, A♯m7, A♯7♯9♭5, D♯9sus, D♯9.

Scales for Improvisation D# bebop minor, D# bebop.