Alonzo in A#

Lonnie Hewitt(1963)mamboMambo ♩=106
Do Re MiC D E
A
B
C
D
E
F
A♯m69
F7♯9♭5
F7♯9♭5
F7♯9♭5
F7♯9♭5
F7♯9♭5
F7♯9♭5
F7♯9♭5
F7♯9♭5
A♯9sus
A♯9sus
A♯9sus
A♯9sus

Chord Diagrams — Alonzo in A# (Guitar)

A♯m69
5frEADGBE222x14
6frEADGBE11x2348frEADGBE1112x411frEADGBEx3124x
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
F7♯9♭5
F - A - C - E♭ - G♯ - B
A♯9sus
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1

Alonzo in A#

Alonzo in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to F (descending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 46 bars · Form: ABCDEF

Chords: A♯m69, A♯m, Fm7, F7♯9♭5, A♯9sus, A♯9.

Scales for Improvisation A# bebop minor, A# bebop.