Alonzo in F

Lonnie Hewitt(1963)mamboMambo ♩=106
Do Re MiC D E
A
B
C
D
E
F
Fm69
C7♯9♭5
C7♯9♭5
C7♯9♭5
C7♯9♭5
C7♯9♭5
C7♯9♭5
C7♯9♭5
C7♯9♭5
F9sus
F9sus
F9sus
F9sus

Chord Diagrams — Alonzo in F (Guitar)

Fm69
EADGBE112222
3frEADGBE1112x36frEADGBEx3124x11frEADGBE3124x
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
C7♯9♭5
C - E - G - B♭ - D♯ - F♯
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2

Alonzo in F

Alonzo in F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to C (descending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 46 bars · Form: ABCDEF

Chords: Fm69, Fm, Cm7, C7♯9♭5, F9sus, F9.

Scales for Improvisation F bebop minor, F bebop.