Alonzo in F#

Lonnie Hewitt(1963)mamboMambo ♩=106
Do Re MiC D E
A
B
C
D
E
F
F♯m69
C♯7♯9♭5
C♯7♯9♭5
C♯7♯9♭5
C♯7♯9♭5
C♯7♯9♭5
C♯7♯9♭5
C♯7♯9♭5
C♯7♯9♭5
F♯9sus
F♯9sus
F♯9sus
F♯9sus

Chord Diagrams — Alonzo in F# (Guitar)

F♯m69
EADGBE11234
EADGBE2222114frEADGBE1111237frEADGBEx3124x
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
C♯7♯9♭5
C♯ - F - G♯ - B - E - G
F♯9sus
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2

Alonzo in F#

Alonzo in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 46 bars · Form: ABCDEF

Chords: F♯m69, F♯m, C♯m7, C♯7♯9♭5, F♯9sus, F♯9.

Scales for Improvisation F# bebop minor, F# bebop.