Alonzo in C#

Lonnie Hewitt(1963)mamboMambo ♩=106
Do Re MiC D E
A
B
C
D
E
F
C♯m69
G♯7♯9♭5
G♯7♯9♭5
G♯7♯9♭5
G♯7♯9♭5
G♯7♯9♭5
G♯7♯9♭5
G♯7♯9♭5
G♯7♯9♭5
C♯9sus
C♯9sus
C♯9sus
C♯9sus

Chord Diagrams — Alonzo in C# (Guitar)

C♯m69
EADGBEx4132
EADGBEx3124x7frEADGBE4123x9frEADGBE2222x1
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
G♯7♯9♭5
G♯ - C - D♯ - F♯ - B - D
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143

Alonzo in C#

Alonzo in C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 46 bars · Form: ABCDEF

Chords: C♯m69, C♯m, G♯m7, G♯7♯9♭5, C♯9sus, C♯9.

Scales for Improvisation C# bebop minor, C# bebop.